On Sunday night at the Hollywood Bowl, Miley Cyrus told a sold-out crowd exactly how she contacted her dead godmother, Dolly Parton, who died August 25. She didn’t whisper it or keep it private. She announced it like a testimony.
Here is what she said, in her own words: “I actually have a Dolly mannequin in my bedroom. She gave it to me for Christmas. It’s dressed like her, it’s built like her”.
A mannequin. Built in the likeness of the dead. Kept in her bedroom.
BYPASS THE CENSORS
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“When I was by myself, I actually took my phone and I played ‘Jolene’ for her on video, holding it up to the mannequin, and lit a candle. I put a flower down for her.”.
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Candle. Offering. Incantation through song.
“I said, ‘Dolly, if you’re here right now, flicker the lights’”.
A command. Issued to the dead. Expecting obedience.
“And I didn’t say anything out loud, but the entire hallway started flickering”.
She claims the spirit responded. She claims her fiancé Maxx Morando witnessed it. She claims she knows Dolly is with her.
This is necromancy. This is what the Bible calls abomination. This is what every parent warns their child about in Sunday school. And she did it on stage, with a spotlight, and called it love.
When Dolly Parton died, we ran a headline that mainstream media laughed at: “Justin Bieber Exposes Hollywood Plan to ‘Eat Dolly Parton’ Led by ‘Satanic Cannibal’ Miley Cyrus”.
The video revealed that Parton’s death was a “mega-ritual.” It said Cyrus was ordered to consume her godmother’s remains as an initiation. It revealed Bieber had leaked tapes proving the occult elite’s most grotesque ceremony yet.
Two months later, Cyrus stood in front of thousands and described lighting candles for a dead body and commanding it to respond.
You don’t have to believe Bieber. Just look at what she did herself. She admitted it. She performed it. She bragged about it.
The Date. The Number. The Pattern.
Dolly Parton died on August 25 .
August 25 is the date Hannah Montana premiered in 2006. The show that made Miley Cyrus a star. August 25 is the date “Wrecking Ball” released in 2013. The song that made her a global icon. August 25 is the date of her infamous VMA performance. August 25 is the date “Used to Be Young” dropped.
And Dolly Parton died on that exact date.
Cyrus was 33 years old when Parton died. Thirty-three. The number of degrees in Freemasonry. The age of Christ at crucifixion. The number that appears over and over in the occult world.
These are not coincidences. These are signatures.
The Fruits of This Spirit Are Not Love
Cyrus says Dolly is “here with her.” She says Dolly is “getting her through” her fears . She says “Me and Dolly, we are eternal” .
But Dolly Parton is dead. Her body is in the ground. Her spirit is not in a hallway in Los Angeles flickering lights for her goddaughter’s concert tour.
Whatever answered Miley Cyrus that night was not Dolly Parton. Scripture is clear: the dead do not return to chat. What answers when you call upon the dead is something else entirely. Something that masquerades as light.
And Miley Cyrus just told the world she invited it in.
She Called It “Aunt Dolly.” It Called Her By Name.
Watch the video. Watch her face when she describes the lights flickering. That’s not a woman remembering a loved one. That’s a woman who believes she made contact.
She didn’t say “I felt her presence.” She said the hallway responded to her command.
This is the same industry that gave us “Wrecking Ball.” The same industry that sexualized a teenage girl on Disney Channel. The same industry that chews up children and spits out products. And now its biggest stars are standing on stage describing conversations with the dead.
Dolly Parton is gone. But something is wearing her name.
And Miley Cyrus just introduced it to 18,000 witnesses.
